彩票开售-经典好文章在线阅读:《嘉丽妹妹》经典影评10篇

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《嘉丽妹妹》经典影评10篇

2017-11-15 21:18:01 来源:彩票开售 阅读:载入中…

《嘉丽妹妹》经典影评10篇

  《嘉丽妹妹》是一部由威廉·惠勒执导,劳伦斯·奥利弗 / 珍妮弗·琼斯 / 米利亚姆·霍普金斯主演的一部剧情 / 爱情类型的电影,彩票开售小编精心整理的一些观众的影评,希望对大家能有帮助。

  《嘉丽妹妹》影评(一):十美元陷阱

    这部电影就是从十美元开始展开所有情节的,女主的姐姐预言一般,这不是十美元,这是你的堕落。
    女主不信,虽然她也确实需要一件过冬的外套,但是秉着朴实的惯性,她决定去还这笔钱,然后走进了一家无法拒绝的美味餐厅,得到了一个绅士礼貌的邀请。一个略话唠的明显觊觎她美貌的男人的邀请或许还没动摇到她的内心,可是一个绅士的礼貌,私心赞美造成无心的盛情,女主收回了那张皱巴巴的纸币,沉醉于美食香槟恭维还有热闹喧哗的氛围,暂时让她忘记了单调枯燥的鞋厂,还有受伤的手指。夜深人静时,她内心的本性开始无声地叫嚣,她有反抗,可是很无力,从她被吻后的眼泪可以看出,显然她不是因为被侵犯而哭,而是被侵犯后无法也没能采取行动。
    可是现实和情节设置一样,不知怎么,很快就变成了邻家小孩的一句,“I'm not supposed to speak to you”,她对自己的处境开始警觉,于是闹了一场目的为结婚的架,那个场景很滑稽,男人只想玩玩,女的想找个落脚地,都没有爱情,他们姘居在一起多么讽刺,和后面听闻女主的心被人夺走,男人马上就决定娶她的场景形成了对比,这一对比让我有那么点怀疑这个男人也是有丝丝感情在里的,相反却彰显了女主的跌落。
      吵架之后,男人出差,男主出场,他们很快陷入这段漫长的伪装成爱情的旅程。从女主角度,她不再是秉持本性拒绝他,而是因她已有一个同居对象,可是爱情啊,让人失了心智,或许仔细看是为了爱情才抛弃曾经依附的对象,可是讽刺点说,还是依附而已,原先是为生存,现在是为爱情,谁能说后者就比前者高贵许多呢?
      电影到这里,感觉出现了老电影常见的那种转折和高潮,看着要分上下部的节奏。男主的处境矛盾爆发,又无意埋下悲情结局炸弹;女主的的彻底崩溃和痛苦纠结,都在火车站这一幕画下了句号。于是在这里,我才感觉到原来一部好电影,不需要太多的对白,全英字幕和对话并非都懂,可是也没什么关系。
       这以后的情节偏重展现男主,可是女主的成长丝毫也不缓慢。她流产了,因为爱情获得的幸福第一次被怀疑,一个女人,做母亲权利都被剥夺了,那这段生活便已失去了大部分光彩了。如果我们愿意这么美好的展望,这么去揣度她。而实际上,生活的贫困使得两人彼此消耗,而爱情在这之上又或者之下,已是摇摇欲坠脆弱不堪。
      昔日的闪耀变得那么遥不可及,这个单纯女人,开始认清生活,开始自己去承担,那么为了爱情的依附便逐渐失去其黏着力,两者的独立解体是不可避免的趋势。对于电影要告诉我们的,成为一个声色场合的演员,这是一个女孩彻底的堕落,或许在表面的光鲜后,所有人都默认了那背后有同样无限的丑陋,社会共识如此,那么现实即如此,我还试着怀疑过。从此这个角色完成了全部的蜕变,从火车上那个被男人搭讪都躲闪的年轻姑娘,变成这个纵情欢笑的风情女人。
      这是原作的本意,还是导演的恶意?
      女主嘉莉妹妹的成长历程体现的是一个男权当道的社会对女性的摧残,还是导演的恶意?我不得而知,然而仔细想想,我觉得前者是大环境,而导演妙笔生花又突出了一番,相对男性角色,女性角色更为不堪和不可原谅,似乎再现了被蛇诱惑的夏娃一样的矛盾,那么导演是痛斥夏娃的,他将男主塑造成为了爱情和尊严最终流落街头困顿而死的悲剧形象,完全覆盖了此前抛妻弃子的不光彩,对比之,女主的光彩落幕不过是一种更大的鄙夷。
      然而女主的性格就成了她的原罪了吗?她不能认清现实,无原则的感性,在生活中随波逐流。她没有一点现实生活的经验,有的是对现状的不满和对告诫的忽视,所有诱惑她的东西都有其现实的意义,也有其存在的价值,甚至全片看下来,还有其高尚之处,可她到最后没有认清也没有反思。那么这个结果就是注定的,像男主说的,她是要向前走的。
      现在的社会,总有各种人说女人更喜欢为难女人,为她这种角色的遭遇辩解,觉得是她不得已,是社会环境,是别人……而我还是以为,嘉莉妹妹,作为一个女性角色,不能控制自己命运的代表,被当成了一个展示,展现了整个社会的悲剧。虽然对当今还是有一定的参照价值,却不能完全对号入座,因为从人性完美追求来讲,不过是社会揭示了她的原罪。
      一部好电影的魅力大概就是看着写着发现思路太多,分析的线面有多种,人性更是无比纷杂。起初我看到的是女主的堕落,接着看到的是女性角色的灰暗,怀疑导演的偏见。可这偏见后面的社会大环境,社会主流价值观又是值得被探讨的,不能剥离,既然要说社会主流价值观,又无法忽视男主的悲惨遭遇,男主妻子是上层社会的缩影,一面秉着价值观讨伐,另一面用决绝的手段摧毁另外一些人的人生;以及代表唯利是图工厂主的鞋厂主管,代表小市民阶级一味尖酸批判的嘉莉的姐姐等等。这些嘉莉妹妹背后的助推力量,和那不被祝福的爱情一样,都是那个社会的肌肉和血液,需要时间来验证它的生命力

  《嘉丽妹妹》影评(二):悲剧

农村少女嘉莉独自来到大城市讨生活,却不得不委身于小商人杜洛埃。随之与赫斯渥先生展开了一段不论恋情。当嘉莉得知赫是已婚人士时行将离去,赫当即盗走熟人的一万元与其私奔。两人在新城市过上了潦倒的底层生活,赫因为偷盗找工作处处碰壁,嘉莉却对此并不了解。最后嘉莉在误会中出走,赫的生活从此一落千丈,成为了底层流浪汉。两人再次相遇之时嘉莉已经成为了著名女演员,饥肠辘辘的赫不得已向她乞求施舍。嘉莉得知真相后十分羞愧,认为是自己毁了赫,承诺将在今后的生活补偿赫。但赫拿了钱包中的一枚硬币后转身离去。 影片到此结束。不谈不伦之恋的悲惨,只谈赫半生痴情的悲剧,以及物是人非的悲凉。

  《嘉丽妹妹》影评(三):我只看到深入骨髓的绅士

劳伦斯·奥利弗演的George是我看过最深情,最有尊严,最绅士的男人。没有之一的绅士。原本过着上流社会的生活却为爱舍弃一切;为爱人所做的一切却没有以此成为束缚她的条件;最穷困潦倒的时候别无他法找曾经的爱人却没有拿她给的大额钞票,只拿了一枚或许只够他生存的小硬币;当女主想要为她犯的错误弥补的时候他清楚的知道一切都是过去式,回不去了;离开时看着镜子里的不复往昔体面的自己,我想这是他最不愿意看到的样子吧;离去的背影孤独的让人想哭。导演太善良,没有安排一个他死去的结局,可是如果前面的一切都是真的,这样的绅士又怎么会允许自己这样没有尊严的活着。比起原著,导演太善良,至少还给了他与爱人重逢,让我们相信爱的机会。可是这是浪漫主义的结局,而真实的人生是现实主义。

绅士在骨

  《嘉丽妹妹》影评(四):What Carrie really wanted was material well-being life rather than relationship

It seemed that Carrie had changed a lot throughout the story, but actually what she really wanted was material well-being life all the time. She left hometown because she wanted a better life. In her eyes, obviously, countries were not so well as cities. Different from Tess who was forced to leave home to make money, Carrie made this decision herself and held a dream that she would live a better life. She asked Charles for help though she knew it was probable that he was not a man of integrity. When they met on the bus and Charles wanted to flirt with Carrie, she refused and kept away from him because she didn't know her city life would be so hard. At that time, she had confidence in herself because she had the knowledge which she mentioned. However, after she suffered a blow, she couldn't help asking job from Charles who was apparently rich. She agreed to live with Charles though she kept away with him at the beginning. She refused to be close with Charles but she would love to live in his house. It was her desire for good quality life that made her hesitate about leaving the house. She didn't love Charles but she loved the cosy and comfortable flat. She fell in love with George then in part because she loved the personality of George and in part because of his money. George invited her to see drama or played drama. What they did together was totally based on money. George took her into the life of high level and it succeeded in making her extremely happy. It appeared to be Carrie's kindness to leave George and encourage him to go back to his family. Nevertheless, her kindness was not pure. George had no job and he was apparently not adapted to low level life. He had become a burden for her and lost his attraction which was partly based on the past life of high level. Therefore she left him. In conclusion, Carrie never changed all along the story because it was her nature to pursue material life under the cover of her delicate appearance.

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